WESTERN CIVILIZATION
Augostinho Neto (Angola)
(Translated from
Portuguese by Margret Dickinson)
Sheets of tin nailed to posts
driven in the ground
make up the house
Some rags complete
the intimate landscape.
The sun slanting through cracks
welcomes the owner
After twelve hours of slave
labour.
breaking rock
shifting rock
breaking rock
shifting rock
fair weather
wet weather
breaking rock
shifting rock
Old age comes early
a mat on dark nights
is enough when he dies
gratefully
of hunger.
INTRODUCTION
This is an ironical poem by the 1st
President of Angola Agostinho Neto (1922-1979) which was Translated
from Portuguese ("Civilização ocidental"), by Margret Dickinson into English translation called
"Western civilization". It constitutes a good example of that
so-called civilization and Christianity brought to Angola (and other parts of
Africa) by the Portuguese colonizers. The depiction presented in the poem
contrasts satirically to its title because what was thought to be civilization
is actually (un)civilization. The title suggests something like cultural
development, an achievement of high standards of culture and of social
development but he conditions depicted in the poem, however, suggest quite the
opposite.
THEMES
Ø COLONIAL TORTURE AND OPPRESSION
The
poet describes the endless hard work performed by the Angolans: The repetition
“breaking rock/shifting rock,"
used three times in this stanza, is very successful in transmitting the
intensity and never-ending hard work performed by the worker. The worker
becomes a slave precisely because he never stops working; he works continuously
without even being interrupted by harsh weather conditions; he works "in
the sun" and "in the rain". The poet uses short lines with
strong accents and highly repetitious phrases to suggest the sheer monotony of
the labour’s life. He says:
After twelve hours of
slave
labour.
breaking rock
shifting rock
breaking rock
shifting rock
fair weather
wet weather
Ø POVERTY
The poem opens
by describing the “house” this worker uses as his shelter in a way that engages
the reader to wonder whether it is worthy being called a house. It is made up
of sheets of tin that are nailed to the posts and on the floor are rags on
which he sleeps. The word “house” is postponed until the very end of the third
line, so that it comes as a kind of shock to think that people actually live in
such conditions and consider this kind of habitation a home.
The poem ends
by explaining and illustrating when, how and under what circumstances this
slave worker dies: For even though the worker works very hard all his life, he
ends up without the most basic necessities: no proper bed, no food and no
light, and thus is grateful to die. Death represents freedom from a life of
slave work; it represents the end of his physical and psychological oppression
and immeasurable pain. So the worker dies because of poverty as he could not
afford to buy food despite the hard work rendered to colonial masters. He says:
Old age comes early
a mat on dark nights
is enough when he dies
gratefully
of hunger
Ø EXPLOITATION
Like other Africans, the Angolans
were subjected to intensive exploitation by their colonial masters the
Portuguese. Despite the fact that the worker has worked all his life “shifting
rock/breaking rock” he has not been able to enjoy the fruits of his slave labour.
His living condition has remained extremely poor as his so-called “house” is
made up of tins nailed to posts and it has lots of cracks that allow the sun to
slant through. The sunshine welcomes the owner of the slum who comes back from
laboring. The title seems to suggest that the people who live “civilized” life
in western countries benefited materially from the exploitation of the kind of
people the poem describes. He says:
After twelve hours of
slave
labour.
breaking rock
shifting rock
breaking rock
shifting rock
fair weather
wet weather
Ø HYPOCRISY
The poem's
title is in fact highly ironic: it is used by the poet to make the reader
reflect about the true nature of Western civilization, see its many uncivilized
sites and make him/her question the motives behind the colonial regime. The
colonialists came to Africa claiming that one of their motives was to spread
civilization to Africa. It is this hypocrisy that Agostinho Neto is addressing
in this poem. The so called western civilization in reality turns out to be a
complete (un)civilization.
For example,
in this poem, the houses of Angolans are described as "Tins nailed to posts (stakes) that are
driven in the earth whose intimate landscape" is "completed by rags". And these "houses" are full of "cracks" through which the sun
enters just to welcome its "inhabitant,"
who is tired from "twelve hours of
slave labour". Can this be called civilization? Hypocrisy!
Ø DISILLUSION
The poet is disappointed by the so
called “western civilization”. When the colonialists came to Africa pretending
to spread Christianity and bring civilization to Africans, many had hopes of
seeing a civilized Africa from civilized Europeans. When they had taken control
of the colonies, it was proved otherwise, that the Europeans were much more
uncivilized than Africans because they imposed harsh treatments with lack of
humanity, to the extent that they were not worthy a name “civilized world”.
Showing the level of disillusion Africans had, the poet says that the worker
was even grateful to die of hunger than to survive under such circumstances.
a mat on dark nights
is enough when he dies
gratefully
of hunger
The
word “hunger” may be both literal and symbolic. The worker has been literally
hungry for food, but perhaps he has also been hungry for a better life as well.
GUIDING QUESTIONS
Ø
What is the poem about?
The poem is about the nature of Western civilisation
brought to Africa which ironically turns out to be injustice, torture,
exploitation and creation of poverty to Africans. The labourer in the poem
lives a poor life working hard for the colonialists and finally dies of hunger.
Ø
What is the type of the poem?
It is a modern poem of Lyric type as it expresses
strong feelings of the poet towards the hypocritical nature of Western
Civilization.
Ø
What is the tone and mood of the poem?
The tone is ironical and satirical. What the title
suggests is contrary to the situations described in the poem. This creates a
hatred, angry and sad mood in the readers towards the colonialists.
Ø
Who is the persona and how do you know?
The persona is an observer who is possibly one of the
freedom fighters trying to conscientize his fellow oppressed on the
hypocritical nature of Western civilization. This is revealed from the way he
describes the sufferings the labourer goes through.
Ø
Comment on structure of the poem?
The poem is made up of six stanzas but of great
variation in the number of verses and the length of the lines.
o
Stanza
one has three lines and it describes the kind of the habitation this labourer
calls a home.
o
Stanza
two has two lines describing the contents inside the house; only rags that he
uses as a bed.
o
Stanza
three has two lines; showing the labour coming back after a long toiling
labour.
o
Stanza
four has ten short lines The poet uses short lines with strong
accents and highly repetitious phrases to suggest the sheer monotony of the labour’s life
o
Stanza five has only one line but with a
strong depiction that the labourer actually grew old before his age as a result
of intensive labour.
o
Stanza six has four lines illustrating
when, how and under what circumstances this slave worker dies.
Ø
Comment on the language use
The language used is simple to understand but some
words are used ironically and metaphorically. The poem also includes some
figures of speech.
FIGURES
OF SPEECH
Personification
o
The sun slanting through cracks welcomes the owner. (the sun cannot welcome the owner)
Irony
ü
Western civilization- the title is highly ironical because what the reader
expects to see as civilisation turns out to be (un)civilisation.
ü
Intimate landscape -The word intimate means privacy or close
relationship which provides comfort of some kind. The descriptions of intimate
landscape made up of rags cannot provide that comfort.
ü
Dying gratefully of hunger- this phrase is also used ironically as someone
cannot be thankful to die of hunger.
Parallelism.
There is a repetition of
these phrases to show the monotony and intensity of the labour.
breaking rock
shifting rock
breaking rock
shifting rock
fair weather
wet weather
breaking rock
shifting rock
Symbolism
Fair weather symbolises good seasons (sunny days)
Wet weather symbolises bad seasons (rainy days)
Hunger symbolises lack of food or lack of good life.
Slave labour symbolises exploitation and torture rendered to
Africans by colonialists.
Alliteration
Wet weather
The sun slanting
through cracks
Consonance
Some rags complete
the intimate landscape
Ø
What are the messages do you learn from the poem?
ü
Exploitation
by European nations is responsible for poverty in African continent. We should
fight against exploitative systems in our governments.
ü
Western
civilisation is hypocritical. We should discard hypocrisy in our societies.
ü
African
leaders should create hopes for those they lead.
Ø
Is the poem relevant today?
The
poem is still relevant today because;
ü
Most
African leaders and governments are doing exactly what their colonial
predecessors were doing.
ü
There
are many people who live in slums as the one described in the poem and call
them houses.
ü
There
are many people who are dying of hunger due to poverty.
ü
Exploitation
of workers by employers is still a way of life in many institutions.
ü
Hypocrisy
among the ruling class is common. They tell the citizens that they are working
to bring development (civilization) but they end up doing just the contrary.
wow this is extremely wonderful.covering the entire poem
ReplyDeleteIt seems some words in this poem looks differently from the same poem written TIE.
ReplyDeleteIt is somehow contradicting
Great appreciations to whoever undertook the literary criticism. It has the substance needed so far as literary criticism is concerned.
ReplyDeleteWhat is the attitude of the persona's voice towards'western civilisation'
ReplyDeletecynical,spiteful sarastic.
DeleteWhat a great work. I find it very helpful.
ReplyDeletesomebody to explicate the use of strong imagery in the poem
ReplyDeleteThis is beautiful.... Though i dont see anywhere about the feelings that arouse after reading the poem
ReplyDeleteAmmmaaazziinnng😭😭🧎🏾♀️🧎🏾♀️🧎🏾♀️🧎🏾♀️
ReplyDeleteisnt inimate landscape personification? great job.
ReplyDeleteHello,
ReplyDeleteGood work.
Note, though, that the 'death' in the last stanza is not literal.
a mat on dark NIGHTS
is enough when he dies
gratefully
of hunger
He 'dies' every night, that is, he falls into a sleep so deep it is akin to death, and he is grateful that while in this deep sleep, hunger pangs do not bite.
Your view is okay and the view that the worker finally dies out out hard labour and disillusionment; and enters into many dark nights ) eternal death), is also acceptable. This state brings him the long sought after relief. No more hardship or hunger. His company: eternal darkness and a mat!
ReplyDelete